Peter Paul Rubens Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Mourning over Christ by Mary and John Date 1614
Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 40,5 x 52,5 cm Rahmenmaße: 55,3 x 67,5 x 8,5 cm
cyf Painting ID:: 73641
Peter Paul Rubens Mourning over Christ by Mary and John Date 1614
Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: 40,5 x 52,5 cm Rahmenmaße: 55,3 x 67,5 x 8,5 cm
cyf
Praying Hands Oil painting, "Praying Hands" by Peter Paul Rubens (1577?C1640)
c.1600
cjr Painting ID:: 74137
Peter Paul Rubens Praying Hands Oil painting, "Praying Hands" by Peter Paul Rubens (1577?C1640)
c.1600
cjr
Ildefonso altar Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Flegel je: 352 x 109 cm
ehem. Flegelaußenseiten: 353 x 233 cm
cyf Painting ID:: 74293
Peter Paul Rubens Ildefonso altar Medium Oil on panel
Deutsch: Öl auf Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Flegel je: 352 x 109 cm
ehem. Flegelaußenseiten: 353 x 233 cm
cyf
Maria erscheint dem Hl English: Ildefonso altar
Date Deutsch: um 1630/1632
Medium Deutsch: Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Flegel je: 352 x 109 cm
ehem. Flegelaußenseiten: 353 x 233 cm
cyf Painting ID:: 74295
Peter Paul Rubens Maria erscheint dem Hl English: Ildefonso altar
Date Deutsch: um 1630/1632
Medium Deutsch: Eichenholz
Dimensions Deutsch: Mittelteil: 352 x 236 cm
Flegel je: 352 x 109 cm
ehem. Flegelaußenseiten: 353 x 233 cm
cyf
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.